| The New York Optimist |
 |  |  |  |  |  |  |  |  |  |  |  |
| © MMIX, The New York Optimist. All Rights Reserved. The New York Optimist & www.thenewyorkoptimist.com is a registered trademark of The New York Optimist. The New York Optimist is a registered service mark of Thenewyorkoptimist.com. The New York Optimist logo and original photos are a registered trademark of The New York Optimist . All other photos are property of the advertiser. And are rightfully protected under their copyright protections. |
SHARE
| Night Stalk Her |
Celebrated fetish artist Brian M. Viveros is internationally embraced for his erotic paintings of doe-eyed beauties
with Marlboros dangling seductively from their lips and has also recently been utilizing the medium of film to
capture the dark and evocative debris that radiates from his mind. His paintings are a drunken mix of oil, airbrush,
acrylic, and ink. In his work Viveros shines a light on his own inner world and society at large and aims to captivate
even the most jaded eyes.
Viveros’ recognition accelerated with his participation in ‘The Art of Porn’ exhibition held in Switzerland (1997),
where he exhibited alongside H.R. Giger. Since then Viveros’ work has been exhibited extensively in North
America and Europe in numerous gallery shows and at Aqua Art Miami (2009) and GenArt’s Vanguard Fair
(2008). His work has also been featured in numerous books including Les Barany’s ‘Carnivora: The Dark Art Of
Automobiles’, Harry Saylor and Carolyn Frisch’s ‘Edgy Cute: From Neo-Pop to Low Brow and Back Again’, Matt
Jordan’s ‘Weirdo Noir’, and Erotic Signature’s ‘The World’s Greatest Erotic Art of Today – Vol. 1 and Vol. II’.
with Marlboros dangling seductively from their lips and has also recently been utilizing the medium of film to
capture the dark and evocative debris that radiates from his mind. His paintings are a drunken mix of oil, airbrush,
acrylic, and ink. In his work Viveros shines a light on his own inner world and society at large and aims to captivate
even the most jaded eyes.
Viveros’ recognition accelerated with his participation in ‘The Art of Porn’ exhibition held in Switzerland (1997),
where he exhibited alongside H.R. Giger. Since then Viveros’ work has been exhibited extensively in North
America and Europe in numerous gallery shows and at Aqua Art Miami (2009) and GenArt’s Vanguard Fair
(2008). His work has also been featured in numerous books including Les Barany’s ‘Carnivora: The Dark Art Of
Automobiles’, Harry Saylor and Carolyn Frisch’s ‘Edgy Cute: From Neo-Pop to Low Brow and Back Again’, Matt
Jordan’s ‘Weirdo Noir’, and Erotic Signature’s ‘The World’s Greatest Erotic Art of Today – Vol. 1 and Vol. II’.
| Devil In Me |
His work has also been featured in the pages of Juxtapoz (no.
118), Secret Magazine, In the Flesh, Skin Two, Drawing Blood,
Darks Art, Joia Magazine, Tattoo Extreme, XFUNS Magazine,
Let’s Motive, Truce, Digital Temple, Riviera Magazine, Uce
Magazine, Ego Magazine, Real Detroit Weekly, .ISM
Quarterly, Tattoo Society, Dark Art’s Parlour Magazine,
Revolution Art, Iniciativa Colectiva, Fetish Magazine, and was
also recently featured on the TV show ‘LA Ink’ (where artist
Nikko Hurtado tattooed one of Viveros’ paintings onto a client).
Viveros made his directing debut in 2005 with his quietly eerie,
boldly stylized short film Dislandia, a psycho-drama revolving
around a young girl who exists in a desolate world full of
dreamlike images that range from bizarre to symbolic and
erotic. Southern, his latest surreal film, returns cinema to the
unclean. Southern is an experience of primordial sights, sounds,
and sentiment, blanketed by a fog of troubling eroticism and
violence. Viveros was also recently featured on the Sundance
Channel’s ‘Pleasure for Sale’ where they featured a behind the
scenes look at the artist and the dislandic crew that
helped him to create his film Southern.
118), Secret Magazine, In the Flesh, Skin Two, Drawing Blood,
Darks Art, Joia Magazine, Tattoo Extreme, XFUNS Magazine,
Let’s Motive, Truce, Digital Temple, Riviera Magazine, Uce
Magazine, Ego Magazine, Real Detroit Weekly, .ISM
Quarterly, Tattoo Society, Dark Art’s Parlour Magazine,
Revolution Art, Iniciativa Colectiva, Fetish Magazine, and was
also recently featured on the TV show ‘LA Ink’ (where artist
Nikko Hurtado tattooed one of Viveros’ paintings onto a client).
Viveros made his directing debut in 2005 with his quietly eerie,
boldly stylized short film Dislandia, a psycho-drama revolving
around a young girl who exists in a desolate world full of
dreamlike images that range from bizarre to symbolic and
erotic. Southern, his latest surreal film, returns cinema to the
unclean. Southern is an experience of primordial sights, sounds,
and sentiment, blanketed by a fog of troubling eroticism and
violence. Viveros was also recently featured on the Sundance
Channel’s ‘Pleasure for Sale’ where they featured a behind the
scenes look at the artist and the dislandic crew that
helped him to create his film Southern.
| Captain Howdy |
“…Brian’s trip to Switzerland can only be described in three words:
‘Veni, vidi, vinci.’ People here are crazy about his work and can’t wait
for him to return and bedazzle them again!”
-Museum of Porn in Art, Zürich, Switzerland
“Mysterious sexy women, with their remarkable sensual eyes, and a
cigarette in the corner of their mouths, became his trademark. These
characters play their lustful roles, sprouted from the brain of the
American artist Brian Viveros. His art is a unique mixture of different
visual and artistic concepts, surrealism, role playing and some quite
heavy pain fantasies. Like the ones where the women are hooked,
tortured and bound, but somehow, even in these morbid scenes, he is
capable of maintaining a decent dose of humor.”
-Art of Love
“The erotic artwork of Brian M. Viveros is a satisfying cross between
the Varga Girls and the surrealist renderings of Hans Bellmer. At once
playful, hypersexual and erotic, there is also something darkly
engaging in Viveros’s images. While he’ll play up the demon aspects of
the Femme Fatale, or the depravity lurking just beneath the surface of
the innocent girl, he does so with a sense of awe – as if honoring what’s
‘dangerous’ in the erotic female form, not fearing it or degrading it.”
-Marilyn Jaye Lewis, editor The Mammoth Book of Erotic
Photography; Erotic Writer of the Year, 2001
“I don’t know why I am attracted to his paintings of tattooed, beaten
women, but they have such a defiant look, with their Louise
Brooks/Pandora’s Box black ‘helmet hair’ and cig dangling from their
mouths, one eye swollen shut. It is to so erotic and powerful, about us
women who get beaten up every day…”
-Jenny Lens, punk photographer/archivist – she shot Darby Crash!
“…hauntingly memorable and erotically arousing work.”
-Francis Lora, contributing writer to Urban Latino Magazine and the
Manhattan Times
‘Veni, vidi, vinci.’ People here are crazy about his work and can’t wait
for him to return and bedazzle them again!”
-Museum of Porn in Art, Zürich, Switzerland
“Mysterious sexy women, with their remarkable sensual eyes, and a
cigarette in the corner of their mouths, became his trademark. These
characters play their lustful roles, sprouted from the brain of the
American artist Brian Viveros. His art is a unique mixture of different
visual and artistic concepts, surrealism, role playing and some quite
heavy pain fantasies. Like the ones where the women are hooked,
tortured and bound, but somehow, even in these morbid scenes, he is
capable of maintaining a decent dose of humor.”
-Art of Love
“The erotic artwork of Brian M. Viveros is a satisfying cross between
the Varga Girls and the surrealist renderings of Hans Bellmer. At once
playful, hypersexual and erotic, there is also something darkly
engaging in Viveros’s images. While he’ll play up the demon aspects of
the Femme Fatale, or the depravity lurking just beneath the surface of
the innocent girl, he does so with a sense of awe – as if honoring what’s
‘dangerous’ in the erotic female form, not fearing it or degrading it.”
-Marilyn Jaye Lewis, editor The Mammoth Book of Erotic
Photography; Erotic Writer of the Year, 2001
“I don’t know why I am attracted to his paintings of tattooed, beaten
women, but they have such a defiant look, with their Louise
Brooks/Pandora’s Box black ‘helmet hair’ and cig dangling from their
mouths, one eye swollen shut. It is to so erotic and powerful, about us
women who get beaten up every day…”
-Jenny Lens, punk photographer/archivist – she shot Darby Crash!
“…hauntingly memorable and erotically arousing work.”
-Francis Lora, contributing writer to Urban Latino Magazine and the
Manhattan Times
| Let It Bleed |
| Mysterio WrestleHer |
| EvilLasting Love |
| SinHer |
| Unclean |
| Viva La Muerte IV |
| Brian M. Viveros Returning Art To The Unclean |