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“All of my life, making art has been my passion. As I have experienced life, the forms that my works have
taken have evolved and deepened, and my love for creating has endured.”
The Golden Mean, 2012
Bronze with Gold Leaf, 150 x 54 x 38″
Riverfront Green Park, HVCCA
Balance, 2008-2011
Oil and Resin, 36 x 32 x 18″
Capri with Cap, 2011
Oil and Resin, 30 x 20 x 11″
City Slicker, 1982
Oil and Resin, 31 x 21 x 14″
General’s Twin, 2009-2011
Oil and Resin, 24 x 15 x 8″
Lady Neptune, 1999-2011
Oil and Resin, 46 x 28 x 38″
Next Summer, 2012
Oil and Resin, 39 x 54 x 50″
Carole A. Feuerman
Francesca, 2008-2011
Oil and Resin, 35 x 18.5 x 9″
Carole A. Feuerman is internationally recognized as one of the world’s most prominent hyperrealist sculptors
with a prolific career spanning four decades. She lives and works in New York and Florida. Feuerman
sculpts life-size, monumental and miniature works in bronze, resin and marble. She has had six museum
retrospectives to date and has been included in prominent exhibitions at the Venice Biennale, The State
Hermitage, The Palazzo Strozzi Foundation, the Kunstmuseum Ahlen and the Circulo de Bellas Artes. Among
the notable honors she has received are the Amelia Peabody Award, the Betty Parsons Award, the Lorenzo
de Medici Prize, first prizes at the Austrian Biennale and the Florence Biennale, and Best in Show at the
2008 Beijing Biennale. Her work is in the selected collections of His Majesty the Emperor of Japan,
President Bill Clinton and Secretary of State Hillary Clinton, Henry Kissinger, Mikhail Gorbachev, the Forbes
Magazine Collection, the Caldic Collection, and Credit Swiss Collection. Selected public collections include
Grounds for Sculpture, the El Paso Museum of Art, the Boca Raton Museum of Art, the Bass Museum and
Art-st-Urban. She has taught, lectured and given workshops at the Metropolitan Museum of Art, the
Solomon Guggenheim Museum, Columbia University and Grounds for Sculpture. There are currently three
full-color monographs about her work: Carole A. Feuerman: Sculpture, written by Eleanor Munro and
published by Hudson Hills Press, now in its second edition, and Carole A. Feuerman: La Scultura Incontra la
Realta, by Gabriele Caioni, which is available in both English and Italian. Her monumental sculpture Grande
Catalina is featured in A History of Western Art by Antony Mason and John T. Spike and published by
Abrams Books in twelve languages.

Feuerman had her first museum retrospective at the Queens Museum in 1987, followed by her second
retrospective at the Southern Alleghenies Museum of Art in 2000.  In 2004, her sculpture Sunburn was
featured in the highly acclaimed traveling group exhibition “An American Odyssey, 1945/1980: Debating
Modernism”, curated by Stephen C. Foster, at the Circulo de Bellas Artes in Madrid.  The same year
Feuerman had her third retrospective “Resin to Bronze Topographies” at the City University of New York.  In
2007 at the Venice Biennale, Feuerman’s monumental sculptures  Survival of Serena and Grande Catalina
were showcased in a solo exhibition entitled “By the Sea” and curated by John T. Spike. Simultaneous to
this, she exhibited in OPEN 2007, an international sculpture exhibition in Venice, and in another solo show at
Art-St-Urban in Switzerland entitled “Lust and Desires”.  Following these successes, she exhibited in
Florence’s Moretti Gallery and was the featured artist in “46 XX” at Moscow’s Na Solyanke State Gallery in
Red Square. In 2008 the Archeological Museum in Fiesole, Italy hosted her fourth museum retrospective and
was followed by inclusion in “Art and Illusion: Masterpieces of Trompe-l’oeil from Antiquity to the Present” at
the Palazzo Strozzi Foundation.  The year closed with her fifth retrospective “Silence-Passion-Expression” at
the Amarillo Museum of Art in Texas, which was nominated by the AISEI for the best Monographic
Exhibition. In 2010, Feuerman’s sculpture Monumental Shower was feautured in “Intimacy, Bathing in Art” at
the Kunstmuseum Ahlen in Germany alongside works by ninety artists including Edgar Degas, Louise
Bourgeois, David Hockney and Joseph Beuys. Later that year, Feuerman had her sixth retrospective,
entitled “Earth Water Air Fire”, at the El Paso Museum of Art, which showcased fifty-two works and
premiered her video installations.  Following the close of the exhibition, her sculpture Summer was acquired
for the museum’s permanent collection. In 2011, she founded the “Carole A. Feuerman Sculpture
Foundation” in Mana Contemporary Art Center located in Jersey City, and later that year her bronze sphere
New World – AM/PM was featured in “Afterwards and Forward: A ten year 9/11 reflective art exhibition” at
the New Jersey City University.

In 2012, Feuerman’s most iconic monumental sculpture, Survival of Serena in painted bronze, was selected
and publicly exhibited in Petrosino Square, SoHo by New York City Parks & Recreation from May through
September. Simultaneous to the exhibition, Feuerman presented her first set of prints also featuring the
image of Serena. At the close of the exhibition, Survival of Serena travelled to the Boca Beach Club in
Florida where it is currently on view with Baker Sponder Gallery. Next Summer, also in hyperrealistically
painted bronze, is installed at the Ritz Carlton Key Biscayne in Miami courtesy of Baker Sponder Gallery.
Monumental Brooke with Beach Ball was chosen for the 2012 Beijing Biennale and exhibited at the National
Art Museum of China from September 28 through October 22 courtesy of Timothy Yarger Fine Art. Quan, a
monumental hyperrealistically painted bronze figure balancing on a polished stainless steel ball, debuted at
Frederik Meijer Gardens and Sculpture Park September 19th and remained on view through January 2013.
Also in September, another public work titled The Golden Mean, a 16-foot tall bronze patinated diver, was
unveiled along the Hudson River at Riverfront Green Park in Peekskill with the Hudson Valley Center for
Contemporary Art. In 2013, the City of Peekskill announced the purchase of the sculpture as a permanent
monument for the town.

At the start of 2013, Timothy Yarger Fine Art featured several sculptures by Feuerman at the Palm Springs
Art Fair. Monumental Brooke with Beach Ball and Next Summer greeted guests at the entrance, Monumental
Shower encompanied visitors in the collector’s lounge, and several smaller works were on display in the
gallery’s booth. Simultaneous to that, KM Fine Arts featured Feuerman’s sculptures and prints at Art
Wynwood. Opening March 28, KM Fine Arts will hold a solo exhibition at their Chicago gallery followed by a
showcase at the Dallas Art Fair in April.

Feuerman’s life-size work, The General’s Daughter, was chosen by the Smithsonian to be shown at the
National Portrait Gallery in Washington, DC from March 23, 2013 through February 23, 2014. In April, Rarity
Gallery will display several of Feuerman’s large-scale sculptures at Art Monaco and during the gallery’s
summer salon show in Mykonos. Jim Kempner Fine Art will showcase Feuerman’s newest works in a solo
presentation opening May 16 in New York City. For the 2013 Venice Biennale, the GlobalArtAffairs
Foundation has selected Quan for display in the courtyard of the historic Palazzo Bembo and The Golden
Mean will be prominently displayed at the entrance in Giardini with the Concilio Europeo dell’Arte. A selection
of her sculptures will also be showcased at the Arezzo Biennale as part of the Glocal Women 1st
International Art Exhibition with Paivi Pro Arte. In July, Mark Borghi Fine Art will feature a solo exhibition of
Feuerman’s sculptures and prints at their Bridgehampton location in addition to showcasing her work at Art
Hamptons. In November another solo exhibition will be held at Octavia Art Gallery in New Orleans.

On an ongoing basis, Feuerman’s work can be seen in all galleries representing her and select museums
worldwide. For a full list of exhibitions and events, please visit carolefeuerman.com.
Nude Coming Through the Wall, 1991-2011
Oil and Resin, 58 x 15 x 5″
Sunburn, 1984
Oil and Resin, 38 x 17 x 13″
Tree, 2009-2011
Oil and Resin, 62 x 37 x 29″
Quan, 2012
Painted Bronze and Stainless Steel
66.5 x 60 x 43″, Frederik Meijer Gardens & Sculpture Park
Next Summer, 2012
Painted Bronze and Stainless Steel 39 x 54 x 50″
Summer, 2008
Oil and Resin, 35 x 57 x 40″
Collection of El Paso Museum of Art
Survival of Serena, 2012
Painted Bronze, 36 x 75 x 36″
Petrosino Square, NYC Parks & Recreation
The Golden Mean - Solo Exhibition
May 16 – June 29
Opening Reception: May 16th
6-8 pm
(212) 206 – 6872
501 West 23rd Street (10th Ave)
New York,  NY 10011